Daan Roosegaarde is selected as the Best Dutch artist of the year. You can vote on him starting today here.
Daan Roosegaarde is selected for the Best Dutch artist of the year. You can vote on him starting today here.
Even though each “Sea Monkey” is only about half an inch long with 10 tiny, leaf-like fins, they can collectively generate a surprising amount of force.
It turns out that the collective swimming motion of Sea Monkeys (brine shrimp) and other zooplankton—swimming plankton—can generate enough swirling flow to potentially influence the circulation of water in oceans, according to a new study.
The effect could be as strong as those due to the wind and tides, the main factors that are known to drive the up-and-down mixing of oceans, says John Dabiri, professor of aeronautics and bioengineering at Caltech.
According to the new analysis by Dabiri and mechanical engineering graduate student Monica Wilhelmus, organisms like brine shrimp, despite their diminutive size, may play a significant role in stirring up nutrients, heat, and salt in the sea—major components of the ocean system.
In 2009, Dabiri’s research team studied jellyfish to show that small animals can generate flow in the surrounding water.
“Now,” Dabiri says, “these new lab experiments show that similar effects can occur in organisms that are much smaller but also more numerous—and therefore potentially more impactful in regions of the ocean important for climate.”
The researchers describe their findings in the journal Physics of Fluids.
Sea Monkey migration
Brine shrimp (specifically Artemia salina) can be found in toy stores, as part of kits that allow you to raise a colony at home. But in nature, they live in bodies of salty water, such as the Great Salt Lake in Utah.
Light cues their behavior: at night, they swim toward the surface to munch on photosynthesizing algae while avoiding predators. During the day, they sink back into the dark depths of the water.
To study this behavior in the laboratory, Dabiri and Wilhelmus use a combination of blue and green lasers to induce the shrimp to migrate upward inside a big tank of water. The green laser at the top of the tank provides a bright target for the shrimp to swim toward while a blue laser rising along the side of the tank lights up a path to guide them upward.
The tank water is filled with tiny, silver-coated hollow glass spheres 13 microns wide (about one-half of one-thousandth of an inch). By tracking the motion of those spheres with a high-speed camera and a red laser that is invisible to the organisms, the researchers can measure how the shrimp’s swimming causes the surrounding water to swirl.
Although researchers had proposed the idea that swimming zooplankton can influence ocean circulation, the effect had never been directly observed, Dabiri says. Past studies could only analyze how individual organisms disturb the water surrounding them.
But thanks to this new laser-guided setup, Dabiri and Wilhelmus have been able to determine that the collective motion of the shrimp creates powerful swirls—stronger than would be produced by simply adding up the effects produced by individual organisms.
Adding up the effect of all of the zooplankton in the ocean—assuming they have a similar influence—could inject as much as a trillion watts of power into the oceans to drive global circulation, Dabiri says. In comparison, the winds and tides contribute a combined two trillion watts.
Using this new experimental setup will enable future studies to better untangle the complex relationships between swimming organisms and ocean currents, Dabiri says.
“Coaxing Sea-Monkeys to swim when and where you want them to is even more difficult than it sounds,” he adds. “But Monica was undeterred over the course of this project and found a creative solution to a very challenging problem.”
The US-Israel Binational Science Foundation, the Office of Naval Research, and the National Science Foundation supported the work.
Gonna put out a cynical response here but…if it’s inherently a weak brief, and you’ve got other stuff to work on, then just complete it to it’s clichéd level and don’t waste any more thought on it. Some projects just pay the bills and not much more. Disregard this advice if the project is meant to be your primary effort going forward.
Try looking to things outside of furniture for inspiration.
Maybe research some new materials and manufacturing methods, you know, start with the clay…
Has anybody used Artcam 3d software? It looks like a great software for 3d modeling / sculpting parts for CNC but I have never used it, and I’d like to hear the thoughts of some users. I specifically like the tools for creating 3d surfaces from 2d images. Thoughts?
Our company wants to make 3d parts with a high level of organic detail (décor). Typically these parts need to be hand sculpted but I’m looking for a program that 1. makes files that can export, and 2. has some easy to use sculpting features that ArtCam 3d has demonstrated..
thanks in advance,
nice sketches guys.
First day of a new sketchbook.
Do you get that fuzzy feeling when you start a new sketchbook?
I love that.
Nice stuff Aaron. I can tell the sketching is becoming second nature. Once you get skilled enough at sketching, you think less about the sketch and more about the idea, and really that is the goal. To become so fluent in visual communication that your mind is only focused on the concept.
SFMOMA had a show devoted to this niche, they titled it parade sign, which I think is a good description:
ParaDesign gathers objects from SFMOMA’s architecture and design collection that question the norms, habits, and conventions of design. The prefix para (whose meanings include “beyond” and “abnormal”) has not previously been applied to design, yet marks a central focus of the museum’s architecture and design collection. Exhibition highlights include Diller + Scofidio’s His/Hers, bath towels embroidered with cheeky aphorisms; and James Welling’s 0469, a colorized photograph of Philip Johnson’s iconic Glass House.
Source: http://www.sfmoma.org/exhib_events/exhi … z3Eoj8U2Rn
San Francisco Museum of Modern Art
It hasn’t caught on as term though and I feel this type of design had its heyday a few years ago. Things seem to have shifted to the hyper hand crafted zone in the uber niche corners of design.